Harry Everett Townsend – WWI Combat, CCC & WPA Artist

Harry Everett Townsend  ( 1879 – 1941)

This article profiles a struggling time, 1933 – 34, in the life of artist Harry Everett Townsend. His story is one part of a much larger New Deal narrative that will circle back to the National Archives (NA) and the inadvertent retention and rediscovery of “orphaned” * New Deal “business files”.  These financial files were generated during the short lifespan of the first federal art program, the Public Works of Art Project (PWAP), they dovetail and compliment other known New Deal collections at the NA and add factoids previously unknown.

There are a wealth of books and articles written about Harry Everett Townsend, but none address this soul crushing and devastating Great Depression period in his life. Suffice to say, Townsend, although well known and established, was an artist desperate for work. He would come to find relief and purpose with the various federal art programs; employment which saved him financially and emotionally.

It wasn’t until he was sent to depict the Civilian Conservation Corps (CCC) that he was once again in his element. As a WWI veteran combat artist he saw his employment with the PWAP as an opportunity to repay a debt to America, fulfilling a commitment he felt was long overdue.
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Harry Everett Townsend
1930’s HARD TIMES

” I am in trouble and truly sick at heart . . . one is ashamed to face the world.”

1934 Feb. 19th – Harry Everett Townsend, sent an impassioned letter to PWAP Reg. 2 Director Julianna Force, imploring her to reconsider and continue his PWAP artist employment. He had been one of eight WWI American Expeditionary Force (AEF) combat artists sent to France in 1918.  Now sixteen years later, Harry was again one of eight artists in his region selected to depict an army of another kind, the Civilian Conservation Corps (CCC), affectionately known as FDR’s Tree Army. images NARA

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CCC Art – Reima Victor Ratti


CCC ART – Reima Victor Ratti – Artists of the Civilian Conservation Corps is now available at:  B&N, Amazon and soon will be available at the Bess Bower Dunn Museum.

DRILLERS by Reima Ratti 1936

This is a story of a young, New Deal artist with a romantic name, Reima Ratti. Born in Waukegan, Illinois in 1914, he was like so many young boys of his generation. Young men who came of age during the  jobless years of the Great Depression. Ratti joined the Civilian Conservation Corps (CCC) as a regular enrollee  to help himself and his family. As a trained, but untried artist, he brought along his sketchpad, pencils and brushes. What transpired, during his CCC artist days and beyond, would set him on a path to history.

“I have heard much about the CCC artists and the fine work they have done. I would very much like to be a CCC artist myself.” Reima Ratti 1936   

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CCC Art – Solving the Mysteries

Solving the mystery of CCC Art and its origins sometimes happens when you least expect it.

It is an exciting research day when one of the mysteries surrounding CCC Art can be solved, especially if you weren’t looking for it.

A component of the first federal government sponsored fine art programs, the Public Works of Art Project (PWAP) included depictions of the government work programs, the most popular being the Civilian Conservation Corps (CCC).  Artists, who were considered roving artists, were briefly sent into camps to make a pictorial record of the life and work.

Leland Roger Gustavson (1899-1966) was one of these roving and prolific HAPPY DAYS 3/24/2934 picture of CCC/PWAP art with officials.PWAP artists. Gustavson was sent to several CCC camps during the harsh winter months of January and February 1934.

In its March 24, 1934 edition, HAPPY DAYS the unofficial national newspaper of the CCC included a front page report and photograph on the PWAP CCC art projects.

Until recently the identity of the CCC boy and the camps where Gustavson’s CCC art was created was long ago lost to history.

courtesy ccclegacy.org

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Frank Cassara – Last of the New Deal CCC artists

During the Great Depression persistence and talent earned Frank Cassara a young, untried artist his place among the greats in New Deal art history.

The last of the New Deal Civilian Conservation Corps (CCC) artists, Frank (Francesco) Cassara, born March 13, 1913 in Partinico, Sicily died January 13, 2017, in Ann Arbor, Michigan – two months shy of his 104th birthday.

Frank Cassara CCC artist 2010
During a September 2010 interview Frank Cassara, a former CCC and WPA artist, graciously shared recollections of his New Deal assignments. ©2010 Kathleen Duxbury.    All Rights Reserved

In the fall of 2010, Frank Cassara and his daughter, Francisca, graciously welcomed me into his Michigan home and studio. While giving me directions they voiced concerns with traffic I might encounter en-route; a football game was scheduled at the University of Michigan. If there was traffic I never noticed, but do recall the Spartans were not the only winners that weekend.

Frank was then 97 years old, in a wheelchair, soft spoken and was quietly reflective as I questioned him about his time and special circumstances as an Artist/Enrollee with the Civilian Conservation Corps (CCC) in Illinois during the Great Depression years.

Initially we sat in the living room of his home. Frank watched as I arranged my papers, camera equipment and hooked up the audio recorder all while explaining the who and whys of our New Deal research, extensive travels and how we search for CCC art, artists and stories.

Frank apologized for what he believed would be unproductive time and wasted travel for me; explaining it had been years (authors note – 75+ years) since his assignment to a CCC camp and he really couldn’t remember much.

Truthfully, I didn’t know what to expect as I handed Frank copies of CCC camp photographs and letters. The documents were dated 1934 – 1935, years when Frank was 21 years of age, living in Detroit, Michigan and desperate for work. He was writing or approaching anyone or any agency he thought might be of assistance, repeatedly.

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Researching CCC Art

Between 1934-1937 the CCC art program encompassed the lower forty-eight states. Researching this quiet part of American art history requires extensive travel and investigation. Using a vintage motor home allows the best access to sleuthing within the parks, repositories and other collections that house this New Deal history. Often crucial information is found by going to the source; clues that lead to the art, artists and stories of the CCC.

Traveling History's Trail Together Autumn Years magazine 2015

We are appreciative for this article which draws attention to a quiet part of America art history and our efforts in researching the Civilian Conservation Corps and the New Deal CCC art program.

“Traveling History’s Trail . . . Together” written by Patricia Farrell Delhauser along with the design and layout by Heidi Gross appeared in the Fall 2015 edition of Autumn Years magazine.

The complete article with images may be viewed on my website  KathleenDuxbury.com  along with information on the first in a series that highlights the CCC artists and the CCC art program.

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